Wild Records Spotlight: The Hurricanes

Gents,

Our Wild March is coming to an end and all month long we have been celebrating the successful premiere of the film Los Wild Ones at the SXSW Film Festival. We are spotlighting one of the newest bands to the Wild Records Label, The Hurricanes. The band is described as early 60’s Rock n’ Roll, Rhythm & Blues, Mod sounds. If you listen carefully, the Wild Sound shatters any traditional genre with aggression and energy.

Check out the video of The Hurricanes tearing and ripping it up!!!

Roach Sanchez – Vocals/Rhythm Guitar
Gibram “G” Chavez – Harmonica/bass
Oscar “satan” Ramirez – Keys/bass
Slim Cervantez – Lead Guitar
Alex “Little Man” Marcial – Drums

The Hurricanes on Facebook

www.facebook.com/oc.hurricanes

Wild Records

www.WildRecordsUSA.com

Photos courtesy of Daniel Funaki www.facebook.com/daniel.funaki

Mr. M

www.facebook.com/Gentlemens.Ave

LYB!

 

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Wild Records Spotlight: Dusty Chance & The Allnighters

Gents,

The third Wild Wednesday has arrived and we continue to celebrate the successful premiere of Los Wild Ones at the SXSW Film Festival. The third Wild Records artist to be spotlighted is Dusty Chance & The Allnighters, From the Wild Records website and I could have not said it any better!

Torment the rockin world with the Wildest demented form of Rockabilly you are ever going to hear. This act features Omar Romero (Omar & the Stringpoppers) & his sadistic guitar pickin, Jamie Lee Bradley humpin the big bull fiddle like a perverted nutcase & Angel Hernandez smackin the hell out of them skins! When Dusty gets that wild glazed over look in his eyes it raises the question is he the bastard son of the Devil or is he just a raving madman? Does he have the nuts flush or is he a card short of a full deck? Forget everything you’ve heard about these animals, this is the kind of sinnin’ you gotta see for yourself!! Hell, buy em a drink and bear witness to The most perverted, primitive, savage rock n’ roll on the planet! 

This is WILD Rockabilly, check out the video below

Wild Records Online

www.WildRecordsUSA.com

Photo Courtesy of Daniel Funaki www.facebook.com/daniel.funaki

Mr.M

www.facebook.com/Gentlemens.Ave

LYMLRMBGB!

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Wild Records Spotlight: The Rhythm Shakers

Gents,

The second Wild Wednesday has arrived and we are celebrating the successful premiere of Los Wild Ones at the SXSW Film Festival. The Wild Records artist spotlighted this week is The Rhythm Shakers, described as late 1950’s Rock and Roll. According to the bands Facebook page they “started accidentally by recording in a small apartment and a big bottle of booze… and here we are.” One thing is for sure, it sounds like they are having a party and enjoying every minute of it. The music is eclectic and the influences are too numerous to list, but check out the clip below for some of their jet-fueled Rock and Roll!

 

Marlene Perez- Singer/ Rhythm Guitar
Andrew Himmler- Lead Guitar
Victor Mendez- Upright Bass & Piano
Ricky McCann- Drums

The Rhythm Shakers on Facebook

http://www.facebook.com/pages/The-Rhythm-Shakers/

Wild Records Online

www.WildRecordsUSA.com

Photo Courtesy of Daniel Funaki www.facebook.com/daniel.funaki , Chuy Villegas.

Mr.M

www.facebook.com/Gentlemens.Ave

LYMLRMBGB!

 

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A Filmmaker That Captured Lightning In A Bottle: Los Wild Ones

Gents,

When you think about great song titles “Mess About You”, “Wasting My Time” and”Wasted” are straightforward and raw, and caught the attention of filmmaker Elise Salomon. The Pizter College graduate in Media Studies  encountered Wild Records with those three songs and is on the brink of her feature directorial debut with the documentary Los Wild Ones.

Growing up Elise knew she wanted to be involved in making movies but did not know how or when that would take place. According to Elise, “The moment I found out that there was a job called “producing” was the moment I knew that’s what I wanted to do.” It is with that determination and passion that Elise began a career in film. The first feature film was Paper Heart, which premiered at the 2009 Sundance Film Festival in the U.S. Dramatic Competition and won the prestigious Waldo Salt Screenwriting Award. The second feature film, which she Co-Produced, Smashed, premiered at the 2012 Sundance Film Festival in the U.S. Dramatic Competition and awarded the Special Jury Prize for producing.

While working on a narrative project Elise discovered Wild Records. Not only did she discover a record label that was unlike anything she had heard before there was a unique “family” element that existed, “I wanted real, authentic 50’s Rock ‘n’ Roll – raw, furious, sexy, and just buzzing with electricity – but I wanted it to be contemporary.” Elise discovered what countless fans have experienced since 2001, and that was the Wild Sound.

The documentary chronicles Wild Records founder Reb Kennedy and the Wild musicians as they travel and perform. The film goes beyond music and touring, “The bond between Reb Kennedy and his artists is unparalleled in this level of the music industry. The loyalty they express to him and his business model can be equated to nothing other than pure love. Love for the music and love for one another. Just like every family dynamic, there is a fair amount of dysfunction but they manage to stick together through thick and thin.” When Elise heard about the reception Wild Artists receive in Europe she could not have imagined the flocks of people attending the shows “It gave me chills. Just seeing a sea of people sing along to their songs. It was extraordinary.” It was moments like these that really gave Elise an opportunity to not only capture Reb and the Wild Family but also the loyal fans from all around the globe.

The films name is derived from the Marlon Brando movie, The Wild One (1953). The title “was a joint decision between me, the producers and the editor…Using the word, “Los” is our way of highlighting that a majority of the people on screen in the film are young Latino/Hispanic artists” says Elise. The title is fitting because the 1953 movie is the first to capture culture and youth in its raw rebellious state, much like the documentary that will premiere at the SXSW Film Festival 60 years later. According to Elise, “SXSW is the absolute perfect place for the film to premiere. The festival combines interactive, music and film. There isn’t a better place to introduce the film and the Wild Family to audiences than in Austin during SXSW.” One thing is for sure, everyone in attendance will not only be in for a musical explosion but also a visual encapsulation of Wild Records.

After communicating with Elise, Reb and several Wild Artist I can attest to the unique family that exist at Wild Records. The film The Wild One centered on one main character and the supporting cast of bikers but watching the trailer for the movie Los Wild Ones it becomes apparent that Elise captures the Wildest sounds around. The openness of the Wild Family is amazing because the filmmaker has now formed a bond with them and truly wants them to succeed in their endeavors.  Elise is a great movie director/producer because she realized there was a story to be told and took the chance and spent 9 months following and recording the Wild Records Family and by doing so will display them to the rest of the world through her lens and captured lightning in a bottle.

Los Wild Ones: World Premiere 3/11/13 @SXSW Film Festival

Director / Producer:  Elise Salomon

Producer:  Jennifer Cochis

Producer:  Jessica Golden

Los Wild Ones on Facebook

http://www.facebook.com/LosWildOnes

Los Wild Ones @ SXSW

http://schedule.sxsw.com/2013/events/event_FS13767

Photos courtesy of Daniel Funaki:  www.facebook.com/daniel.funaki

Mr. M

www.facebook.com.Gentlemens.Ave

LYMLRMBGB!

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Wild Records Spotlight: Gizzelle

Gents,

The first Wild Artist to be profiled during our Wild March is the amazing Gizzelle. This young lady creates chills that run down my spine! Gizzelle is energetic but controlled, powerful and full of soul. The sound is reminiscent of 50’s Blues, 60’s R & B and some good ol’ Rock & Roll. Do yourself a favor and check out the clips below of one of the biggest voices in music today! In case you were wondering, yes, her music is available on records.

Baby Please Don’t Go, the song begins with a voice that trumps the drum roll in the background and seems to last an eternity before the rest of the song starts. The lyrics and tone are in your face and full of emotion. When the band gets involved it is a toe-tappin’, heart pounding, wild song! All I can say is, Baby I wont GO!

Wild Records Online

www.WildRecordsUSA.com

Photo Courtesy of Daniel Funaki www.facebook.com/daniel.funaki

Mr.M

www.facebook.com/Gentlemens.Ave

LYMLRMBGB!

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The Man With A Golden Voice

Gents,

On 307 South Broadway Street in Downtown Los Angeles, California is one of America’s first movie palaces, the historic Million Dollar Theater. It was built in 1918 by the legendary Sid Grauman and seated 2,345. The theater was created in the churrigueresque, Spanish Baroque, style with images of animals and allegorical figures of the arts sculpted into the building. The decorations are phenomenal and give the theater a magical and royal ambiance. Legendary voices have filled the theater, in the 1940’s Billie Holliday and Lionel Hampton, later Spanish language singers and movies entertained new audiences.

A few years ago I attended a show at the legendary Million Dollar Theater and the experience truly captivated the nostalgic and timeless wonders of class and luxury in a historic building. I heard a band and voice that would quickly become one of my all-time favorites, an 18-piece band consisting of horns, percussion and a golden voice. The great crooners heavily influenced the voice and the similarities to Frank Sinatra and Bobby Darrin are appropriate and not a stretch. Much like Sinatra and Darrin, the tone and power cause the listener to relax and creates melodic tones to the reality of love lost and found. The young man with the golden voice is named Frank, lead singer of the Wiseguys Big Band Machine.

The journey started in a place that is familiar to stars and entertainers because he was born in Hollywood, CA. Growing up in East L.A./Montebello he played the tuba in high school and a few years later started a band with his brother Art and lead trumpet player Robert Villalobos. They created a New Orleans style pep band that would eventually evolve into the Wiseguys Big Band Machine. The venture into singing began when 21 year old Frank performed at a local bar called Mr. C’s, “the owner liked that I sang the old Sinatra/Darrin songs, so he would have me sing a few songs for him and I would get free pitchers of beer since I knew the tunes I felt comfortable singing them.” The experience gave him confidence to sing in the band when the opportunity arose. Coupled with the amazing guitar playing of Rudy G, from Rudy G Y Los Hi-Tones/Barber at Sweeney Todd Barber, the Wiseguys are a sonic powerhouse.

Not only are the Wiseguys band mates but a deeper bond exists with two of the founders, Frank and Art, because they are brothers. The “relationship is solid we are brothers 100%, music just is an extra bond we share nothing better than having your brother with you on stage. When we are old we will have those memories, who better to share them with than you brother.” Watching the brothers interact on stage is an added bonus to a great show.

The name, “Big Band Machine” is fitting because they are versatile and explosive in their sounds. According to Frank, “we are not just a Swing Band, Rockabilly Band, Salsa/Cumbia/Mambo Band.” With Frank belting out the tunes and entertaining the audience it is just a matter of time before they are playing at the major hotels in Las Vegas because the entire band gets involved in the entertainment. It is not rare to see Frank engage the audience to sing or the band members stand up as they play their brasses off! Watching his older brother Art pound away on the drums is a visual gem. One interesting aspect of the show is Rudy and Frank interacting on stage as if they were both in unison and at times it is comedic. The Wiseguys put on a world-class performance of timeless classics that are given new life by the musicians of the Big Band Machine.

I have no doubt the future is bright and their name will be in lights. Many great voices filled the Million Dollar Theater in its heyday and Frank not only pays tribute to the music that inspired him but also renews the love for Sinatra/Darrin to audiences that are flocking to their shows. When I asked Frank to describe the music his answer demonstrated the key to their success, “good music played and performed with nothing but respect for the music and the audience.” With two studio CD’s, All In and Double Down, one live CD Bootleg Swing, the Wiseguys will continue to entertain audiences who love good music and entertainment.

Wiseguys on Facebook

www.facebook.com/mtbwiseguys

Wiseguys online

www.wiseguysbigband.com

Mr. M

www.facebook.com/Gentlemens.Ave

LYMLRMBGB!

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Nikki & Matt Hill: A Soulful Love Story

Gentlemen,

“I got a man, way to treat me so right…I got a love, so sweet and so true” are lyrics to a heart pounding soulful song powered by the voice of Nikki Hill complimented with the energized guitar playing of Matt Hill.

Witnessing a stage full of musicians playing with intensity and love for music is just about as good as it gets. Unless you are fortunate enough to see Nikki and Matt, whose love goes beyond notes and lyrics on sheets of paper. The music produced by this power couple penetrates the soul and paints a picture of love.

The sound of the young lady from Durham, North Carolina is reminiscent of Lavern Baker, Etta James, Ruth Brown, Little Richard, and Otis Redding. Nikki started her vocal journey in a place that is familiar to many legends and those seeking solace for the soul. At the young age of 8 years old Nikki began to sing in the church choir and continued into her teens. I watched a video of Nikki performing Saved and her introduction speaks volumes about the woman with a soulful booming voice, “Gospel music never leaves you, no matter where you go. The intensity and the energy of Gospel music is something that is unforgettable.” Music and singing is not only entertainment but also spiritual.

Not only does Matt play a mean axe but he also has a prolific voice with shades of The Band, Waylon Jennings, Carl Perkins, Albert Collins and Howlin Wolf.  Listening to Matt’s heartfelt lyrics remind you of the great lyricists in country and blues that sang of love lost and found, joy and pain and may strike a chord with where you have been in life or where you currently are. He released two albums and won the 2011 Best New Artist Debut at the Blues Music Awards.

About six years ago a group of friends insisted that the two youngest people in their group should meet. Apparently the mutual group of friends believed the two would “hit it off.” According to Nikki, “they were right! We became great friends and that is still the base of our relationship now.” This March the couple will celebrate their second wedding anniversary and the love they share is unmistakeable, “everyday is memorable with Matt. Every time we share the stage, or we’re up late driving to the next destination, or we are just enjoying each other’s company, it’s all very memorable for me.” The bond is based in love but also in music.

One vital component in any band is not only a mutual love for music but also chemistry among the members, Nikki and Matt are fortunate. Nikki says, “When we play together I feel like we can set the stage on fire!” The intensity and mutual energy is evident in the recordings and performances. It is very difficult to listen or watch them perform without wanting to tear up the dance floor.

Matt has released two recordings and the latest, Tappin That Thang features Nikki providing the back up vocals. Nikki’s first EP features Matt on guitar. Keep a watchful eye in 2013 because they will be touring extensively and Nikki will release her full-length album. The couple travels around the country and abroad sharing their love of music and experiencing life together as musicians, friends and soul mates.

I cannot fully describe the depth and intensity that must accompany this talented and blessed couple. Musicians travel many back roads and highways with friends and band members to get to their next gig. Undoubtedly at times it is not glorious but the Hill’s are impacting more than the music scene with their soulful story of love. At the end of the day Nikki and Matt have each other.

www.nikkihillmusic.com

www.facebook.com/nikkihillmusic

www.facebook.com/matthillmusic

Mr. M

www.facebook.com/Gentlemens.Ave

LYMLRMBGB!

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Reb Kennedy: An Authentically Wild Gentleman

Gentlemen,

I walked around a local venue called The Observatory and noticed a Gentleman standing off to the side with an intense look in his eyes like a hawk perched in a tree examining his territory. The stage and band were in his eyesight and he looked over the crowd as if he was measuring their response to the music. A few young musicians that previously performed approached and his demeanor changed. A few smiles were passed around along with handshakes but as soon as the musicians left the Gentleman once again intensely examined the stage and crowd. The Gentleman looked like he could spit into the wind and it would keep on going.  I am referring to the founder of the energetic and diverse Wild Records, Reb Kennedy.

The Kennedy family moved from Dublin, Ireland to London where they had a child named Reb. The first 6 years of Reb’s life were spent in London. Later the family moved back to Dublin where Reb spent his formative years, from age 6-20 years old.  According to Reb, growing up, “there were not a lot of choices: being in a gang was not for me, football I was a pretty good goalkeeper but not for me or music and I grew up in a house with music playing all the time (Roy Orbison, Elvis, Jerry Lee Lewis) so music was the only thing for me.” Not only was there music playing in the Kennedy household but also in local pubs. The young boy was influenced by music on all sides “I always liked going to the pub with my mum and dad and all kids do it in Ireland and there was always people singing and bands playing.” Living in an environment of vibrant and passionate music greatly influenced Reb and planted the seeds for his future.

When Reb was 12 years old his passion for music increased when he started to purchase records. He was determined to buy records and would save his pocket money (allowance) “until I could buy the records I wanted” says Reb. Some of his early records were Elvis, T Rex, David Bowie, Glitter Band, Kinks, Small Faces and Yardbirds. His musical taste was diverse and growing along with his record collection as he constantly searched for new and energetic music.

At the age of 20 Reb moved back to London and immersed himself in the music scene. His musical influences came from “many areas, I love rockabilly music and also love soul, gospel, UK first wave punk, ska, and 60’s R&B” says Reb. After 16 years in London the music scene was changing so he decided to cross the pond and move to San Francisco, California. According to Reb, “I came to the U.S. in 2000 and left London because the scene had become stale and old, no young blood and no young bands.” In San Francisco Reb began promoting shows with Rockabilly legends such as Hayden Thompson, Joe Clay, Narvel Felts and Dale Hawkins. It was not long before Reb wanted new and energetic music.

Reb spent a few weekends each month traveling to Los Angeles looking for something new and energized. He was “looking for the spark and found it with a young band called Lil Luis y Los Wildteens.” The next individual that caught his attention was “the mighty Omar Romero.” He decided to start booking local bands and created a promotions company called Wild Promotion. As with all things in Reb’s life he seemed to push the boundaries because after promoting these young energetic bands one year later he created a record label. Wild promotions “became Wild Records and this just seemed to fit the sound and energy, I wanted to be Wild.” The record label gave young energetic bands a chance to record their music.

Since the record label began in 2001 Wild Records has released 40-CD’s, 25-45’s, 1 12-inch record, 1-LP and1-DVD. The record label’s motto should not be surprising, “The Wildest Sounds Around”. Wild Records is diverse and brilliantly recorded by producer Reb and head studio engineer Omar Romero. During 2013 Wild Records will stop producing CD’s, they will focus on vinyl records and digital downloads. The decision to produce vinyl records is partly based on Reb’s love for the best and original sound available.

Don’t expect to find any lollipop or time capsule music on this label, Wild Records sound is very real and explosive. Wild Records has many different genres but are not restrained by them. Each band is unique and has the Wild Sound.  Here are a few examples of the genre diversity and Wild sound: Rockabilly-Omar & The Stringpoppers, 50’s Rock and Roll-Hi Strung Ramblers, Soul- Gizzelle & Alex Vargas, Blues-Little Victor, Surf-Barbwires, Rock and Roll- The Dragtones, Punk- The Black Mambas, 60’s Garage- The Hurricanes and Neumans. The Wild Family has about 17 performers with youth on their side because most of them are in their early to mid 20’s. Reb is constantly looking for new talent and every three months they hold auditions and receive numerous demo tapes and email inquires.

The bands on Wild Records are not restrained to the U.S. because they travel the world spreading the “Wildest Sounds Around”. According to Reb, “I think the demand is high because we are not just about 1950’s music but are about raw energy with a honest no bullshit sound that seems to be lacking in music at this time and I think people want good tough guitar driven Rock and Roll.” In 2013 Wild musicians will perform in Australia, England, Germany, Sweden, Denmark, France, Ireland, Holland, Germany, and Italy.

It is not surprising that Reb’s earliest memory of music involves family. According to Reb it was, “Sunday mornings and the smell of Sunday dinner cooking and music playing on the record player.” The Wild Records label is commonly referred to as the Wild Family because Reb has a relationship with the performers that goes beyond recording, shows, and touring; “we are called the Wild Family and this is how I run the label. Sometimes we help pay rent and get people out of jail. The band members come to me with all types of problems that I help sort out and I book shows for them (I never take a fee for booking bands)… promote them and not only deal with music but I am also part of there daily lives as well.”

The uniqueness of the Wild Family caught the attention of director/producer Elise Salomon who co-produced the movie Smashed that premiered successfully at the Sundance Film Festival. A film crew followed Reb for 9 months and produced a documentary called Los Wild Ones. The Wild Family is not related by blood or common ancestry, instead they are bound by their profound passion for music and loyalty to each other. Occasionally Reb has a Wild Family dinner and I can only imagine it like the ones he had as a child but instead of having music playing on records in the background the performers are part of his Wild Records Family. Reb understands the responsibility to the Wild Family is not just developing new and energetic music.

There is something sacred about music for Reb and the energy of the music fuels the journey that started in London and Ireland. Reb’s reverence for music is best demonstrated in his description of the sound of a record playing, “a needle touches the record and the sound that this makes can’t ever be equaled because the needle grabs the soul from the sound.” While Reb Kennedy is not a perfect man I believe he has a profoundly deep soul and is not reckless or destructive.

The story of Reb Kennedy and Wild Records is  about a Gentleman who is deeply moved by music and at the core authentically Wild. Reb is Wild because he does not allow restraints and boundaries to control the energy and passion of the music. Moreover, Reb’s impact upon Wild Records cannot be calculated because some of these young artists will pursue other ventures and have families of their own one day but will always have the Wild Family lineage.

Photos courtesy of Wild Records photographer Daniel Funaki

Wild Records online:

www.WildRecordsUSA.com

Mr. M

www.facebook.com/Gentlemens.Ave

LYRMBGB!

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The Fiery Gentleman Tommy Dorsey

Gentlemen,

It has been said that only through blood, sweat and tears can true success be achieved and for the father of one of the greatest swing bands Tommy Dorsey (1905-1956) some of that blood, sweat and tears came from scraping.  He is known as the “Sentimental Gentleman”  because of the style of play and the man who started in the Ragtime 1920’s continued to succeed through the 1950’s but many left hooks and jabs were thrown along the way.

The son of a part-time musician Tommy learned to play the trumpet from his father and eventually choose the trombone. His older brother Jimmy led a few bands in the 1920’s that Tommy played in. One of Tommy’s first solo hits was Tiger Rag in the late 1920’s and features Tommy playing the trumpet and demonstrates his sensual ferocity.

Although the brothers had been playing in different bands and achieving success they reunited in 1934 for the Dorsey Brothers Orchestra but because of Tommy’s temper and perfectionist approach the Fiery Gentleman abruptly quit the band in a public argument in 1935. Apparently, Jimmy believed the tempo was too fast and that really upset Tommy who walked off the stage and the Dorsey’s did not play together until 1953 (18 years later!).

The passionate approach to music and his orchestra led Tommy to sometimes get into disputes and problems with other musicians. The famous orchestra leader would spare no one in seeking top talent. Tommy would buy out musicians contracts from other band leaders to obtain quality musicians and knew what a great orchestra required. One dispute was with Jo Stafford and the Pied Pipers on Thanksgiving Day 1942 over who gave the wrong directions to the driver and resulted in the 20 year delay of Blues in the Night (awesome song!).

The Fiery Gentleman created the most popular swing era orchestra and contained some of the great jazz artists who ever lived. The music had a dance tempo and seemed to be going all over the place but was tightly arranged. In 1930 the orchestra adapted a piano piece by PIne Top Smith called Boogie Woogie and it became one of the most successful recordings.

Another great piece was Maria that was featured in the film The Fabulous Dorsey’s (1947) and demonstrates the uptempo arrangement and lively orchestra participation.

One of the singers went on to become a legend, the great Frank “Blue Eyes” Sinatra.

The Fiery Gentleman Tommy Dorsey exemplified passion for the love of his music and orchestra. The idea of compromise and the norm became a burden that he continually shed and was paved with blood, sweat and tears. The music is still played today and should be cherished for the extraordinary effort and talent.

Gentlemen of tradition and distinction have long enjoyed the music of fiery and passionate individuals and my hope is that this will continue.

Mr. M

 

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