Uncovering Barber History: The Waldorf Barbershop & Shaving Saloon

Gents,

Most modern craftsmen are first generation but a lucky few can claim second generation and there is the rarity of being third generation. William Finnegan started a tradition of barbering that stands at odds with time because his son and granddaughter continue the craft, and in the process uncovered a legendary barbershop in Dublin, Ireland.

The Finnegan barbering craft began at William’s shop in Inchicore, a suburb of Dublin. At the young age of 10, Liam started sweeping, cleaning and running errands at the shop. The barbershop was a mix of working class gentlemen with a laid back atmosphere and story telling. The common topic was the gentlemanly sport of boxing. William, an enthusiast, was enthralled with the combative yet graceful sport and coached for a period. According to Liam his father, “loved to talk boxing in shop. Back then boxing and barbering went hand in hand.” Not only did the working class frequent the shop but also the great Irish playwright Brendan Behan. The shop was a mix of society, culture and life that created fertile soil for the Finnegan tradition to take root.

The relationship between William and Liam was not only centered on barbering skills but many life lessons stemmed from the craft. One piece of advice that was passed on from father to son is, “As a barber you’d always have some money in your pocket, and always to be scrupulously honest in your dealings with everybody.” It is with that philosophy and training that Liam set off on a barbering journey.

After apprenticing for six years in Dublin he moved to London and continued learning the craft. The shops he worked in were from various time periods; the Victorian style had wooden chairs and rounded sinks in Angel Court, on Throgmorton Street and the Queen Anne style at the famous Savoy Hotel. According to Liam, “I liked that these shops were so very different to what was back home in Ireland…these shops were not so much nostalgic back then, ‘Old’ was not that popular then.” During this period customers came from all walks of life, bankers, ordinary folk, Steve McQueen, Rolling Stones and many more notables. Eventually he came home to Dublin and worked at his father’s shop.

If you happen to be in Dublin and walk along Westmoreland Street you just might miss the world famous Waldorf Barbershop and Shaving Saloon. The entrance to the shop is located on the street level but upon entering the historical building, built in 1894, you will find a stairway that goes below the street to a portal to 1946.

The original shop opened in 1929 in the Westin Hotel by Mr. Thomas J. O’Byrne, commonly known as “Tommy Two Guns”. He worked as a journeyman barber aboard Cunard Ocean Steamers in the 1910’s and 20’s and traveled to the United States were he was influenced by the modern decor of New York barbershops. In 1946 Tommy Two Guns opened a second barbershop about one block north in the Adare building. The shop was modern and reminiscent of what he experienced in New York. Essentially, New York barbering was transported to the Emerald Isle.

In 1969 the Waldorf located in the Westin building closed its doors and the Waldorf Adare, as it was called, continued the craft of barbering. The times were changing and so were the hairstyles. Soon after, the shop was transformed into a Spanish Style Café.

Liam was working at his father’s shop when the opportunity to purchase the legendary Waldorf came calling. Liam and his daughter Linda obtained the shop and started the process of uncovering a legend from the grave of linoleum, “The first thing we did when we took over the reins at the Waldorf was to bring it back to exactly the way it was when it first opened in March 1946. There had been some modifications to the shop, back when it was just an old barbershop, and not a vintage shop. But all the changes were just on the surface.” Fortunately most of the modifications done in the 60’s/70’s were only superficial and under the linoleum the beautiful original terrazzo floor waited to be unveiled!

The Waldorf is not a nostalgic themed barbershop because it remains in its original form and contains many barbering artifacts. According to Liam, “There is a barber’s coat hanging in the backroom that is 100 years old. Two of the chairs date from 1908. Let me just say, when I’m at the Waldorf Barbershop, there are always about a half dozen things 100 years old or so within 20 feet of me.” Having the original sinks, fixtures and décor keeps the shop authentic. The backroom serves as a museum of sorts for barbering instruments and memorabilia.

The Waldorf offers world class grooming for men by highly skilled barbers. Liam, a barbering legend, believes the barber chair is an equalizer of ego for the famous and commoner, “Yes, we see them come in to the shop they wait just like everyone else. After all where else would they go? And we treat them just like every other customer. The other way we look at that is that every normal customer gets the movie star treatment. The only time a famous person came in outside of normal hours was when Frank Sinatra was playing Dublin back in ‘86 if I remember correctly. The shop opened a half hour early to accommodate him getting an edge up.”

Not only is Liam continuing the barbering tradition but also Linda, his beautiful daughter, is following in her father and grandfather’s footsteps. She started working in her grandfather’s shop when she was 12 years old.  According to Liam,“She is the other part of the team, who along with Mr. H, drive the business forward. An excellent, word class and competition-winning barber. She brings the old styles to a new level of accuracy.” If you are fortunate to get your hair cut by Liam his approach is open and masterfully honed, “Every one is different – every cut is different, sometimes I don’t know how I’ve done the haircut till I think about it after. But I’ll do whatever is required to get the hair to sit just right.” Liam masterfully feels the cut without giving it too much thought and the craft is like breathing, natural.

The Waldorf is a testament to the tradition of barbering and is propelled by the Finnegan’s and the talented staff of barbers who are influencing barbers world-wide. According to Liam, “People of all ages want to look sharper and more groomed now. This applies especially to younger people. There is a huge interest in the kind of work we do, and a real interest and appreciation for the craft of traditional barbering. For me personally, I am very proud to be a barber. It is a great craft to work at. It wasn’t always seen as such. I believe my legacy will be having been a part of the reappreciation of this old craft.” The Waldorf barbershop, created by Tommy Two Guns has been in continuous business for 84 years, the Waldorf represents the golden age of barbering. Much like William’s shop, the Waldorf is a mix of society, culture and life with roots that are spreading beyond the Finnegan family and Ireland.

Waldorf Barbershop and Shaving Saloon  www.facebook.com/Waldorf.Barbershop

Mr. M

www.facebook.com/Gentlemens.Ave

LYB!

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Reb Kennedy: An Authentically Wild Gentleman

Gentlemen,

I walked around a local venue called The Observatory and noticed a Gentleman standing off to the side with an intense look in his eyes like a hawk perched in a tree examining his territory. The stage and band were in his eyesight and he looked over the crowd as if he was measuring their response to the music. A few young musicians that previously performed approached and his demeanor changed. A few smiles were passed around along with handshakes but as soon as the musicians left the Gentleman once again intensely examined the stage and crowd. The Gentleman looked like he could spit into the wind and it would keep on going.  I am referring to the founder of the energetic and diverse Wild Records, Reb Kennedy.

The Kennedy family moved from Dublin, Ireland to London where they had a child named Reb. The first 6 years of Reb’s life were spent in London. Later the family moved back to Dublin where Reb spent his formative years, from age 6-20 years old.  According to Reb, growing up, “there were not a lot of choices: being in a gang was not for me, football I was a pretty good goalkeeper but not for me or music and I grew up in a house with music playing all the time (Roy Orbison, Elvis, Jerry Lee Lewis) so music was the only thing for me.” Not only was there music playing in the Kennedy household but also in local pubs. The young boy was influenced by music on all sides “I always liked going to the pub with my mum and dad and all kids do it in Ireland and there was always people singing and bands playing.” Living in an environment of vibrant and passionate music greatly influenced Reb and planted the seeds for his future.

When Reb was 12 years old his passion for music increased when he started to purchase records. He was determined to buy records and would save his pocket money (allowance) “until I could buy the records I wanted” says Reb. Some of his early records were Elvis, T Rex, David Bowie, Glitter Band, Kinks, Small Faces and Yardbirds. His musical taste was diverse and growing along with his record collection as he constantly searched for new and energetic music.

At the age of 20 Reb moved back to London and immersed himself in the music scene. His musical influences came from “many areas, I love rockabilly music and also love soul, gospel, UK first wave punk, ska, and 60’s R&B” says Reb. After 16 years in London the music scene was changing so he decided to cross the pond and move to San Francisco, California. According to Reb, “I came to the U.S. in 2000 and left London because the scene had become stale and old, no young blood and no young bands.” In San Francisco Reb began promoting shows with Rockabilly legends such as Hayden Thompson, Joe Clay, Narvel Felts and Dale Hawkins. It was not long before Reb wanted new and energetic music.

Reb spent a few weekends each month traveling to Los Angeles looking for something new and energized. He was “looking for the spark and found it with a young band called Lil Luis y Los Wildteens.” The next individual that caught his attention was “the mighty Omar Romero.” He decided to start booking local bands and created a promotions company called Wild Promotion. As with all things in Reb’s life he seemed to push the boundaries because after promoting these young energetic bands one year later he created a record label. Wild promotions “became Wild Records and this just seemed to fit the sound and energy, I wanted to be Wild.” The record label gave young energetic bands a chance to record their music.

Since the record label began in 2001 Wild Records has released 40-CD’s, 25-45’s, 1 12-inch record, 1-LP and1-DVD. The record label’s motto should not be surprising, “The Wildest Sounds Around”. Wild Records is diverse and brilliantly recorded by producer Reb and head studio engineer Omar Romero. During 2013 Wild Records will stop producing CD’s, they will focus on vinyl records and digital downloads. The decision to produce vinyl records is partly based on Reb’s love for the best and original sound available.

Don’t expect to find any lollipop or time capsule music on this label, Wild Records sound is very real and explosive. Wild Records has many different genres but are not restrained by them. Each band is unique and has the Wild Sound.  Here are a few examples of the genre diversity and Wild sound: Rockabilly-Omar & The Stringpoppers, 50’s Rock and Roll-Hi Strung Ramblers, Soul- Gizzelle & Alex Vargas, Blues-Little Victor, Surf-Barbwires, Rock and Roll- The Dragtones, Punk- The Black Mambas, 60’s Garage- The Hurricanes and Neumans. The Wild Family has about 17 performers with youth on their side because most of them are in their early to mid 20’s. Reb is constantly looking for new talent and every three months they hold auditions and receive numerous demo tapes and email inquires.

The bands on Wild Records are not restrained to the U.S. because they travel the world spreading the “Wildest Sounds Around”. According to Reb, “I think the demand is high because we are not just about 1950’s music but are about raw energy with a honest no bullshit sound that seems to be lacking in music at this time and I think people want good tough guitar driven Rock and Roll.” In 2013 Wild musicians will perform in Australia, England, Germany, Sweden, Denmark, France, Ireland, Holland, Germany, and Italy.

It is not surprising that Reb’s earliest memory of music involves family. According to Reb it was, “Sunday mornings and the smell of Sunday dinner cooking and music playing on the record player.” The Wild Records label is commonly referred to as the Wild Family because Reb has a relationship with the performers that goes beyond recording, shows, and touring; “we are called the Wild Family and this is how I run the label. Sometimes we help pay rent and get people out of jail. The band members come to me with all types of problems that I help sort out and I book shows for them (I never take a fee for booking bands)… promote them and not only deal with music but I am also part of there daily lives as well.”

The uniqueness of the Wild Family caught the attention of director/producer Elise Salomon who co-produced the movie Smashed that premiered successfully at the Sundance Film Festival. A film crew followed Reb for 9 months and produced a documentary called Los Wild Ones. The Wild Family is not related by blood or common ancestry, instead they are bound by their profound passion for music and loyalty to each other. Occasionally Reb has a Wild Family dinner and I can only imagine it like the ones he had as a child but instead of having music playing on records in the background the performers are part of his Wild Records Family. Reb understands the responsibility to the Wild Family is not just developing new and energetic music.

There is something sacred about music for Reb and the energy of the music fuels the journey that started in London and Ireland. Reb’s reverence for music is best demonstrated in his description of the sound of a record playing, “a needle touches the record and the sound that this makes can’t ever be equaled because the needle grabs the soul from the sound.” While Reb Kennedy is not a perfect man I believe he has a profoundly deep soul and is not reckless or destructive.

The story of Reb Kennedy and Wild Records is  about a Gentleman who is deeply moved by music and at the core authentically Wild. Reb is Wild because he does not allow restraints and boundaries to control the energy and passion of the music. Moreover, Reb’s impact upon Wild Records cannot be calculated because some of these young artists will pursue other ventures and have families of their own one day but will always have the Wild Family lineage.

Photos courtesy of Wild Records photographer Daniel Funaki

Wild Records online:

www.WildRecordsUSA.com

Mr. M

www.facebook.com/Gentlemens.Ave

LYRMBGB!

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